Eisen | Tamagawa of the Maru-Ebiya, kamuro
溪齋英泉 Keisai Eisen (1790–1848)
丸海老屋內 江川
Tamagawa of the Maru-Ebiya, kamuro
1820s～30s
木版画 | 纵绘大判 | 36.5cm x 25.4cm
Woodblock-print | Oban-tate-e | 36.5cm x 25.4cm
早期版次；颜色鲜艳；品相非常好
Fine impression, color and condition
$3,500
美景伴着美人入画，自古以来就是最好的安排。
如果回到两百年前的吉原，你一定会经常在耳边听到江川姑娘的名号。在本作中，这位丸海老屋的头牌花魁头顶摇曳着玳瑁光，身着一袭牡丹狮子纹华服，正跪坐在古琴旁演奏着三味线。娇俏的眉眼、笔挺的鼻梁以及丰满的嘴唇都极具英泉式美人的特点，充满着江户后期浮华烂漫却略带苦涩的时代审美。在画面左上角的圆框外，一树红梅枝干蜿蜒，花朵开得正艳。而在圆框内的碧海青松、白浪远山，则是连俳圣松尾芭蕉也要发出“扶桑第一绝景，可与洞庭、西湖媲美”感叹的日本三景之一的松岛。扶桑绝景，吉原佳人，淡妆浓抹总相宜。
Interested in purchasing?
Please contact us.
溪齋英泉 Keisai Eisen (1790–1848)
丸海老屋內 江川
Tamagawa of the Maru-Ebiya, kamuro
1820s～30s
木版画 | 纵绘大判 | 36.5cm x 25.4cm
Woodblock-print | Oban-tate-e | 36.5cm x 25.4cm
早期版次；颜色鲜艳；品相非常好
Fine impression, color and condition
$3,500
美景伴着美人入画，自古以来就是最好的安排。
如果回到两百年前的吉原，你一定会经常在耳边听到江川姑娘的名号。在本作中，这位丸海老屋的头牌花魁头顶摇曳着玳瑁光，身着一袭牡丹狮子纹华服，正跪坐在古琴旁演奏着三味线。娇俏的眉眼、笔挺的鼻梁以及丰满的嘴唇都极具英泉式美人的特点，充满着江户后期浮华烂漫却略带苦涩的时代审美。在画面左上角的圆框外，一树红梅枝干蜿蜒，花朵开得正艳。而在圆框内的碧海青松、白浪远山，则是连俳圣松尾芭蕉也要发出“扶桑第一绝景，可与洞庭、西湖媲美”感叹的日本三景之一的松岛。扶桑绝景，吉原佳人，淡妆浓抹总相宜。
Interested in purchasing?
Please contact us.
溪齋英泉 Keisai Eisen (1790–1848)
丸海老屋內 江川
Tamagawa of the Maru-Ebiya, kamuro
1820s～30s
木版画 | 纵绘大判 | 36.5cm x 25.4cm
Woodblock-print | Oban-tate-e | 36.5cm x 25.4cm
早期版次；颜色鲜艳；品相非常好
Fine impression, color and condition
$3,500
美景伴着美人入画，自古以来就是最好的安排。
如果回到两百年前的吉原，你一定会经常在耳边听到江川姑娘的名号。在本作中，这位丸海老屋的头牌花魁头顶摇曳着玳瑁光，身着一袭牡丹狮子纹华服，正跪坐在古琴旁演奏着三味线。娇俏的眉眼、笔挺的鼻梁以及丰满的嘴唇都极具英泉式美人的特点，充满着江户后期浮华烂漫却略带苦涩的时代审美。在画面左上角的圆框外，一树红梅枝干蜿蜒，花朵开得正艳。而在圆框内的碧海青松、白浪远山，则是连俳圣松尾芭蕉也要发出“扶桑第一绝景，可与洞庭、西湖媲美”感叹的日本三景之一的松岛。扶桑绝景，吉原佳人，淡妆浓抹总相宜。
Interested in purchasing?
Please contact us.
Keisai Eisen (1790–1848)
Keisai Eisen was born in Edo into the Ikeda family, the son of a noted calligrapher. He was apprenticed to Kanō Hakkeisai, from whom he took the name Keisai, and after the death of his father he studied under Kikugawa Eizan. His initial works reflected the influence of his mentor, but he soon developed his own style.
He produced a number of surimono (prints that were privately issued), erotic prints, and landscapes, including The Sixty-nine Stations of the Kiso Kaidō, which he started and which was completed by Hiroshige. Eisen is most renowned for his bijin-ga (pictures of beautiful women) which portrayed the subjects as more worldly than those depicted by earlier artists, replacing their grace and elegance with a less studied sensuality. He produced many portraits and full-length studies depicting the fashions of the time.